How to Look at and Understand Great Art Pdf
Rated five out of v by Betka from Excellent Class I am having a wonderful experience viewing the lectures for this grade. The professor Sharon Hirsch is outstanding. She actually knows how to present the cloth. I am an artist and photographer and have learned a great deal from this course that I purchased on sale. There are 36 i/2 hour lectures and each ane is fascinating Ane of the all-time courses from my collection of over 2 dozen courses from The Great Courses.
Date published: 2022-04-05
Rated 5 out of 5 by dpnp1227 from Neat for homeschooling high schoolers I bought this course for my high school daughter, expecting she would have information technology on her own. However, I have watched every lecture with her. Nosotros both thoroughly enjoyed Professor Hirsch and learned more than we imagined. Can't expect for another course by her!
Engagement published: 2022-04-05
Rated 5 out of 5 by Harry L from Very knowledgeable instructor Am nigh 1/iii of the style thru course. Learning a groovy deal
Date published: 2022-03-27
Rated 5 out of 5 by Sprite65 from Simply What I Wanted I watched this in hopes I would learn more near art and I did. She covered art from probably the best catamenia when it was actually beginning to appeal to the masses simply also talked about bones things to wait for in each menstruation of art. While she tried to tell the listeners to give modernistic art a chance, and I did, I simply don't actually similar it. And when she talked about Kandinsky, he really was nothing just a snob when it came to his genre of art. I loved this course and saw some new art. I know the grade was to acquire about fine art, simply I would take loved to learn about some of the artists.
Engagement published: 2022-03-09
Rated two out of five by hackcomic from Terrible Insulting finish test ruins experience for me. I could not recommend.
Engagement published: 2022-03-06
Rated 5 out of 5 past EAZy101 from Splendid and educational presentation Dr. Hirsch is a most pleasant and effective educator who speaks with clarity and personality. I felt as though she were giving me a private lesson in the various aspects of agreement how fine art is created, art history, how to appreciate great works of art, and only as the championship implies, how to expect at and understand great art. While I had art history in college, it was very long ago and I didn't appreciate information technology at 18 as much as I do now.
Date published: 2022-02-26
Rated five out of 5 by Mia775 from Terrific Lecturer! I enjoyed every one of the lessons and they will help me to meliorate relish art in the future.
Date published: 2022-02-22
Rated 5 out of 5 past dOrsay vitrify from Superb learning experience! Newly widowed and facing winter in Wisconsin, I decided to browse the Great Courses catalog for a mental diversion and learning experience. I hadn't had an "fine art history" type of class since higher, and I have been fortunate to have visited many peachy museums and seen a lot of wonderful art. This form is wonderful! Professor Hirsh speaks conspicuously, explains concepts in easy to empathise terms and makes me "hungry" for the next lesson. I have simply washed 5 lessons so far, and am eager to get further into the concepts and history that lies ahead. Thanks to this class, winter has loosened its grip on me and I find sunshine in each of these lessons. Best coin I take spent!
Date published: 2022-02-10
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Trailer
01: The Importance of First Impressions
Examine the contexts and environments in which we run into art and their critical event on our viewing experience. Consider means of displaying and framing paintings, as well as key parameters for viewing sculpture. And then, learn the predominant genres of Western art, and the artist's media, tools, and techniques....
02: Where Am I? Point of View and Focal Point
Explore how point of view-the artist's positioning of the viewer with respect to the image-works in painting and sculpture, paying particular attention to differences in angle and spatial relation. Then, continue with focal signal, or the artist's centering of attention on a central expanse of the work....
03: Color-Description, Symbol, and More than
Uncover the core principles of color in painting, including the distinctions of value and saturation and the relationship of colors as coordinating or complementary. See how major works of art reach their power and meaning through color, equally seen in celebrated canvases by Seurat, Gauguin, and Van Gogh....
04: Line-Description and Expression
Detect the backdrop of line, another essential element of art, as "descriptive" (describing reality) or "expressional" (carrying feeling). Larn about the use of geometric lines, implied lines, and directional lines inside a composition. Also, study the compelling, psychological utilise of line in Picasso's works, Seurat's The Circus, and in key Modern and Expressionist works....
05: Space, Shape, Shade, and Shadow
Examine geometric and "organic" shapes in painting and sculpture and the crucial relationship of figure to ground and mass to infinite. So, explore the illusionistic use of shading, shadows, and overlapping shapes in Caravaggio'southward and Friedrich's works, and the compositional power of shapes in paintings such as Matisse's Trip the light fantastic toe and Michelangelo's Creation of Adam....
06: Seeing the Big Moving picture-Composition
Define symmetry and disproportion in painting and sculpture, and the central furnishings on the viewer of each. Also, study scale and proportion of figures, and the distinction between "open" and "closed" composition, reflecting the artist's approach to visually framing the image....
07: The Illusion-Getting the Right Perspective
Tracking the history of illusionism in Western art, grasp the principles of linear perspective, foreshortening, and atmospheric perspective as they replicate how the human eye perceives. Encounter how artists, including Cezanne and Van Gogh, manipulated perspective for their own artistic ends, and discover the extreme illusionism of trompe 50'oeil and anamorphosis....
08: Art That Moves U.s.-Fourth dimension and Motion
Explore how artists evoke movement and the passage of time, including implying motion through strong directional lines and time through narrative devices. Study approaches to implied motility in Impressionism, Abstract Expressionism, and Op art, and the use of bodily move in performance art and mod sculpture....
09: Feeling with Our Eyes-Texture and Light
Here, consider texture in sculpture as an aid to meaning in sculptures by Rodin, Donatello, and Bernini, and the painter's use of paint every bit a way to capture texture and lite on canvas. Then observe the virtuoso representation of texture by master painters Ingres and Titian, and the handling of light and shadow in works by Renoir and Georges de la Tour....
ten: Drawing-Dry, Liquid, and Modern Media
In this first lecture on genre, ascertain the diverse purposes of drawings, from "croquis" cartoon to capture a pose or action, to successive sketches visualizing larger works, to finished drawings as a distinct fine art. Written report the diverse media of drawing, focusing on master drawings in metalpoint, charcoal, ink, pastel, and pencil....
11: Printmaking-Relief and Intaglio
The medium of prints attracted great artists from Dürer and Rembrandt to Ensor and Picasso. Using studio demonstrations, study the expressive means and contrasting techniques of relief printmaking, including woodcut, wood engraving, and linocut, and intaglio printmaking, including metal engraving, etching, mezzotint, and aquatint....
12: Modern Printmaking-Planographic
This lecture explores the art of planographic printmaking, which allows artists to draw or paint directly on the printing surface. In detailed demonstrations and works by Daumier, Degas, and Warhol, grasp the techniques of lithography, silkscreen, and monotype, and explore the mastery of Whistler'south lithograph Nocturne: The Thames at Battersea....
13: Sculpture-Common salt Cellars to Monuments
Sculpture, as a genre, encompasses the total spectrum of three-dimensional artworks. In this lecture, investigate the varieties and viewing contexts of relief and in-the-round sculptures-from monumental public works and religious and historical subjects to assemblage, collage, constitute objects, and large-calibration "world art"-noting the technical distinction between subtractive and additive work...
fourteen: Development of Painting-Tempera and Oils
Trace the history and technique of painting, first with the methodology of panel painting on wood; fresco painting, both moisture and dry; and finally, oil painting and watercolor. Larn near types of oil pigment, the mixing of colors, brushwork techniques, and the 19th-century phenomenon of plein air (outdoor) painting....
15: Modern Painting-Acrylics and Assemblages
The lecture opens with a historical panorama of painting techniques, highlighting the diverse treatment of human faces. Then, information technology tracks 20th-century developments in nontraditional materials and methods of application, including the techniques of Frank Stella, Helen Frankenthaler, and Jackson Pollock, likewise as the contrasting strengths and mixed employ of oil and acrylics....
16: Discipline Matters
Focusing on masterworks past Van Eyck and Rubens, define three levels of iconography (bailiwick matter). Also study the bookish codifying and ranking of subject matter in fine art, probing subject field and deeper meaning in a variety of religious and history paintings, still lifes, landscapes, portraits, and genre works....
17: Signs-Symbols, Icons, and Indexes in Art
The richness of signs (signifiers) in fine art includes the use of symbols, icons, and indexes equally they reveal layers of significant. See how, in different historical eras, symbolic associations change over time, how icons visually represent a subject, and how indexes exhibit direct connections with the matter signified....
eighteen: Portraits-How Artists See Others
In examining the diverse functions and types of portraits, study the important elements of facial presentation and the subject'due south position and gaze with relation to the viewer and the pictorial space. See how Rembrandt added dramatic power to his group "corporation" portraits, and how David advisedly rendered Napoleon in symbolic terms....
19: Self-Portraits-How Artists Encounter Themselves
Across the centuries, self-portraits fascinatingly reveal the changing office of the creative person. Follow this progression, from Renaissance painters subtly placing themselves within large compositions, to self-portraiture's emergence as a major form of self-revelation, noting many dramatic and colorful traditions within the class....
xx: Landscapes-Art of the Great Outdoors
In this lecture on mural painting, find the classical, counterbalanced sectionalisation into foreground, middle, and background, and how Romantic painters altered these proportions to limited drama, infinite space, and the sublime. Discover proportion and limerick in landscapes of the Hudson River schoolhouse, Luminism, Impressionism, and too the subgenres of seascapes and cityscapes....
21: Putting It All Together
This lecture integrates elements including colour, line, shape, composition, light, symbolism, point of view, and focal point. Using the viewing tools you've developed, look deeply at iv diverse masterpieces, including a sculpture by Thorvaldsen, a "vanitas" still life past Van Oosterwyck, a lithograph by Bonnard, and a painting by Van der Weyden....
22: Early Renaissance-Humanism Emergent
Contemplate the Renaissance phenomena of classicism and humanism in 15th-century Italian art, which focused-even in religious fine art-on the human being body, nature, and depictions of earthly life and the individual. Learn how to recognize Early Renaissance art in characteristic subject matter and stylistic technique....
23: Northern Renaissance-Devil in the Details
Flemish region and Germany also witnessed an explosion of art in the 15th and early 16th centuries. Define the stylistics of peachy Northern Renaissance oil painting, such as the use of cool light, richness of detail, and the depiction of fabric. Conclude by charting the evolution of the historical "canon" of universally recognized artworks....
24: Loftier Renaissance-Humanism Perfected
The Italian High Renaissance saw the total flowering of humanism and classicism. With reference to the era's thought and practice, delve into masterpieces by three of history's greatest geniuses: Raphael, Leonardo, and Michelangelo. Terminal, explore the composition of Raphael'southward Schoolhouse of Athens as it represents the sublime embodiment of Loftier Renaissance ethics....
25: Mannerism and Baroque-Distortion and Drama
Two of import creative movements followed the Loftier Renaissance. Beginning with late Michelangelo, Tibaldi, and El Greco, explore the hallmarks of Mannerism, including deliberate distortions of proportion and perspective and utilise of tertiary colors. Then, in the works of Caravaggio, Rubens, and others, define the essence of Baroque fine art in its dramatic, exuberant expansion of classical style....
26: Going Baroque-Northward versus South
Baroque style flowered in key regional variations. Run across the influence of the Counter-Reformation in southern Europe in dazzling religious images intended to excite and teach. Grasp the classical ethos of French Baroque and the Dutch diversity of subject affair and dramatic use of light and infinite in the Due north....
27: 18th-Century Reality and Decorative Rococo
The sensuality of Rococo art mirrors 18th-century upper-class lifestyle and sensibility. Explore the evocation of intimate hedonism in Watteau, Boucher, Fragonard, and other Rococo masters, specifically through their imagery of lovers, social life, and pastoral pleasance. And then, define Rococo mode in its svelte curves and characteristic utilise of paint and color....
28: Revolutions-Neoclassicism and Romanticism
The early 19th century saw the emergence of 2 compelling and highly contrasting styles. Referencing the art of Napoleonic painter Jacques-Louis David, discover the tenets of Neoclassicism, specifically its ordered composition and accent on stoicism, morality, and rational control. In works by Eugène Delacroix, find the spirit of Romanticism and its concern with dramatic proportions, emo...
29: From Realism to Impressionism
In canvases of Millet, Courbet, and Manet, observe the Realist ideals of honesty, simplicity, and descriptive colors in revealing contemporary experience. Then, explore the phenomenon of Impressionism, highlighting Renoir, Monet, and Degas-their fascination with natural light, quest to capture the moment, and iconic subject area matter of middle-class leisure life....
30: Postimpressionism-Form and Content Re-Viewed
The term "Postimpressionism" comprises a varied and highly innovative trunk of art. Here, larn how Postimpressionist painters such as Cezanne and Seurat were driven by what they perceived as a loss of form in Impressionist art. Run across too how Symbolists Gauguin and Munch used increasing abstraction to convey deeper psychological meanings....
31: Expressionism-Empathy and Emotion
In defining the bold sensibility of Expressionism, explore its utilise of violent colors, stylistic distortions, and sculptural application of paint. Also contemplate its influences (including gimmicky philosophers too equally Freud) and its goal to provoke empathy and thus touch on the viewer at the innermost level....
32: Cubism-An Experiment in Form
Investigate the visual elements and the three phases of this hugely influential movement, based in its geometric fracturing of forms and multiple, interlocking meanings of line and shape. Find borrowings and echoes of Braque's and Picasso's Cubism in diverse 20th-century painters and experiments in Cubist-derived sculpture....
33: Brainchild/Modernism-New Visual Language
Abstraction and Modernism forged a daring new definition of fine art, breaking dramatically with the past. Find the philosophical and experiential underpinnings of abstraction and nonrepresentational fine art, at present radically freed from imitating nature. Encounter art's new language in visionary works by Kandinsky, Marc, Pollock, De Kooning, and others....
34: Dada Institute Objects/Surreal Doodles and Dreams
Contemplate the "anti-fine art" spirit of Dadaism, its nihilistic still humorous indictment of civilization and bizarre utilize of unconventional media. In the sensibility of Surrealism, find its compelling focus on the subconscious and two substyles-dream imagery, with its juxtaposition of objects and settings, and "automatic drawing," eliciting unplanned images from the unconscious....
35: Postmodernism-Focus on the Viewer
In the 1960s, Pop art, Op art, and minimalism brought yet another far-reaching redefinition of fine art. Learn to recognize these three distinct postmodern visions, and see how they shared a common rejection of the traditional focus on the creative person, aiming instead to create works that exist but for the viewer's estimation....
36: Your Next Museum Visit-Do It Yourself!
The concluding lecture opens with a detailed and thought-provoking guide to museum-going. Consider means of making the about of visits to permanent collections and special exhibitions in both big and small museums. Conclude with a sumptuous review involving masterworks from the many eras, movements, and schools you lot've looked at....
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